Throughout the ’80s John Hughes defined the teen movie genre and spoke not only to that generation’s teens, but every generation that has followed. Then in 1991 he hung up his director’s hat and disappeared into obscurity ala J.D Salinger. In 2008, a group of young Canadian filmmakers set out to complete a documentary about the man with what they hoped would culminate with an interview, which would be his first since 1999.

A short film exploring the four stages of relationships: from love at first sight, to the first date, to the relationship itself and to the end. Shot on locations of NYC, LA, Moscow and Paris, it reveals love from a universal level that proves poignant and personal.

Based on true events that changed the law. This is the story of a survivor, Lyndal, a young woman sexually abused as an 11 year old while attending a prestigious school. Her courage to fight for justice is entrusted to a local lawyer determined to build a case and give Lyndal peace from her torment. With the help of his aspiring young associate and an enigmatic barrister, the lawyer and Lyndal find their way together.

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins

Divided into four segments, this drama special showcases the following horror stories from Niitura Iwao's 20 volume "Shin Anata no Siranai Sekai" series: "Crime and Horror" - Not everything goes as planned when Rie decides to murder her childhood friend Manami."Hair""The Faded Last Love Letter?""Don't Look

A story about a third-rate DJ who finds his relationship with his young son rapidly deteriorating.

When a documentary-maker begins to make a film about child sexual abuse, the subject begins to eat into him and affect his relationship with those around him, particularly his wife.

This movie shows another side to spousal abuse that not too many people thought is possible--the husband being abused and the wife the abuser.

After lying to her new eccentric coworker Larry about a company party, an ambitious corporate flunky must deal with the deadly consequences.